Saturday, June 8, 2019

Bromantes Architecture Represents the High Reneissance Essay Example for Free

Bromantes Architecture Represents the High Reneissance EssayDonato Bramante was born in 1444 to a poor farmers family. Bramante was a famous Italian painter and architect. He moved to the city of Milan in 1474, where the gothic style of buildings influenced his creations. The High Renaissance was a time in Italy and Rome that the artists were learning how to launch perspective, and about anatomy. Donato D Angelo Bramante made his mark in the High Renaissance period. He inspired other architects to express themselves. Some of his works include the perform of Santa Maria presso, the Tempietto, Santa Maria delle Grazie, the new St. Peters church, and others (Catt, 2010).By 1499, the French occupation of Milan had forced Bramante to Rome. Taken up by the entourage of Alexander VI, he first designed the cloister of S. Maria della Pace (Bramante, Donato, 1994). In 1476 Bramante first hugeest achievement was the church of Santa Maria presso San Satiro. It was built on commission by Duke Sfora that was dedicated to venerate Satyrus (biographybace, n. d. ). However, Bramantes contributions are seen in the choir area that he remodeled.Bramante had used perspective painting to make it look larger than it authentically was. Using the art of illusion he made the choir seem to be three bays long, but the property did not actually exist. There was a wall that prevented Bramante from building the choir. So what you see actually is only one meter deep (Web Gallery of Art, n. d. ). Italian architect and painter. He is best cognize as the greatest exponent of High Renaissance architecture. His first building, Santa Maria presso San Satiro in Milan (c. 481), use perspective to give an illusion of deeply receding space in the choir. In 1506, he started rebuilding St Peters, Rome. His influence was enormous, and many Milanese painters took up his interest in perspective and trompe loeil Donato Bramante, (2008). The Tempietto was another one of Donoto Bromantes great work s. It is believed that this shrine was built on the site of St. Peters martyrdom. This piece was commissioned by King Ferdinand and Queen Isabella for this very reason (kleiner, 2010).The Tempietto was a tenuous round temple at San Pietro in Montro, in Rome, and was build 1502. This piece of architecture is considered to be a masterpiece of High Renaissance (kleiner, 2010). The Essential humanities. net, calls it the enthrone jewel of High Renaissance (2010 p3). His classical structure contains many elements such as columns, a dome, drum, base, and a vault. This small design was Bramantes most harmonized building of the renaissance (biographybase, n. d. , p. 1). The Tempietto (1502) at S Pietro in Montorio, Rome.The small circular structure, erected as a martyrium to St Peter, is reminiscent of the temple of Sibyl at Tivoli, with its classical entablature carried on a Tuscan Doric colonnade and rich frieze of metopes and triglyphs. It was the first monument of the High Renaissanc e and established a prototype for sixteenth-century church design (Bromate, donato 1987). One of Bromantes early works in Milan was the church of Santa Maria delie Grazie. This building was started by another architect. The Santa Maria delie Grazie was a large church with long aisles.Bramante contributed to this work by adding the tribune to the east end. When Bramante went to Rome, he left this church unfinished (Web Gallery of Art, n. d. ). According to the text the old Saint Peters was falling apart and deeded a lot repair. Julius II chose Bramante to design and replace the Saint Peters church. The floor plan of the new Saint Peters church featured a cross with arms of equal length, each terminating in an apse (kleiner, 2010 p. 477par. 3). Julius II wanted the new church to serve as a memorial, to mark Saint Peters grave and have his own tomb in the church.Bramantes plans were complex and extreme with intricate symmetries of a crystal. His plan showed none involution crosses in which five of them were supporting the domes. However, Bramante died in 1514, at the age of seventy, about the time the construction began (Nickerson, 2008). Bramantes plan has been obscured by later work, though Michelangelo used as much of it as he could. What the interior would have looked like can be seen in Raphaels painting The School of Athens (Bramante, Donato 1444 1514. 1994).The works of Donato Bramante include the church of Santa Maria presso, the Tempietto, Santa Maris delie Grazie, the new St. Peters church, and others. Bramantes works are divided into two time periods. The first period was spent in Milan, and the support was in Rome. In Milan, his work was decorative and picturesque. However, in Rome his work became more in the High Renaissance style (Sauer, 1907). He set the fix up for artist in the High Renaissance, and his work with perspectives have been studied and copied today.

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